Slow and Unsteady

It is sometimes difficult to find a solo snare drum piece that is challenging to the performer, yet accessible to modern audiences. “Slow and Unsteady” solves this conundrum, both beautifully and confidently. It is a handsome representation of the snare drum’s voice, with an homage to rudimental style that is blended with the freedom of artistic expression and individual interpretation.

The preciseness of the notation, upon first glance, might seem intimidating; however, after reading the program notes to understand the composer’s intent, the piece becomes more inviting. The main concept of this piece is to be slow in tempo, but dense in content. Additionally, the tempo is listed as “Legato (not strictly in time).” The resulting marriage of rudimental, precise content (plus stickings), and fluid time creates a unique voice that can change with each performance. Indeed, “Slow and Unsteady” is a celebration of the many inflections available only to the snare drum, whether it be a rope, concert, marching, or any other snare drum. The snare drum and its performers have unique voices; both are jubilantly recognized in this work.

“Slow and Unsteady” is a perfect selection for a recital, audition piece, or just as a showpiece to “pull out,” when needed. I will definitely be taking a closer look at this work in my own personal practice time, and am excited to develop a deeper understanding of my own artistic opinions, as well as a deeper understanding of the graceful precision available to us on our beloved snare drum.

—Cassie Bunting
Percussive Notes
Vol. 60, No. 5, October 2022