Brian S. Mason chose the title Hot Tubs in reference to “tubs” as a slang word for timpani, picked up as a freshman in college. The word “hot” references the nature of most of the piece: powerful, bombastic, and rhythmically charged. Some moments in the work provide a reprise, taking a more melodic and sensitive approach. Dampening is precisely indicated throughout, leading to a range of textures from the overlapping (or shortened) sounds of the drums. This work is a well-rounded technical showcase for developed players!
This solo can also be found in The Blue Book - Volume 3 along with over 40 other solos for snare drum, drum set, mallet keyboard, and timpani.
Use of this product is governed by the license terms outlined here.
Brian S. Mason chose the title Hot Tubs in reference to “tubs” as a slang word for timpani, picked up as a freshman in college. The word “hot” references the nature of most of the piece: powerful, bombastic, and rhythmically charged. Some moments in the work provide a reprise, taking a more melodic and sensitive approach. Dampening is precisely indicated throughout, leading to a range of textures from the overlapping (or shortened) sounds of the drums. This work is a well-rounded technical showcase for developed players!
This solo can also be found in The Blue Book - Volume 3 along with over 40 other solos for snare drum, drum set, mallet keyboard, and timpani.
Use of this product is governed by the license terms outlined here.