Andrew Smit wrote June Bug in anticipation of the birth of his daughter, with the title referring to a June birth date. He intends for the piece to “commemorate the start of her learning how to do everything.” So, much of the musical inspiration is derived from nursery songs; the main rhythmic motif is meant to mimic the baby babble of “dada” or “mama.”
The piece is very simple, with a straightforward melody and repeating ostinato. Only two techniques are used throughout: double vertical strokes and single independent strokes. Basic interval changes are also explored, ranging from 4ths to 6ths. It’s an ideal etude for percussionists who are early in their four-mallet development!
Use of this product is governed by the license terms outlined here.
Andrew Smit wrote June Bug in anticipation of the birth of his daughter, with the title referring to a June birth date. He intends for the piece to “commemorate the start of her learning how to do everything.” So, much of the musical inspiration is derived from nursery songs; the main rhythmic motif is meant to mimic the baby babble of “dada” or “mama.”
The piece is very simple, with a straightforward melody and repeating ostinato. Only two techniques are used throughout: double vertical strokes and single independent strokes. Basic interval changes are also explored, ranging from 4ths to 6ths. It’s an ideal etude for percussionists who are early in their four-mallet development!
Use of this product is governed by the license terms outlined here.