Home > Sheet Music > Downloadable Ensembles

Click to enlarge

Purchase

Three Scenes from the Desert (Download)

suite for percussion (new ensemble version!)

Alex Stopa

Level: Med-Easy

Duration: 8:20 (full suite)

Personnel: 2-5 Players

State Lists: Texas | Wisconsin | Florida

Release Date: 2018

Product ID : TSPCE18-002DL

Price: $39.00

Item #: TSPCE18-002DL

Formats Available:

About delivery methods

Download Audio

Description

In this updated version for two to five players, Alex Stopa has adapted his original version of Three Scenes from the Desert, making it more inclusive and expansive. This new ensemble version features optional extra mallet parts, and auxiliary percussion parts (playable by one or two players) adding subtle nuance and texture to the primary duet.

Using such small instrumentation, the three pieces retain a cohesive quality, though they each present their own distinct musical characteristics. Furthermore, they may be performed individually, or two or more works can be performed as a suite.

Adding to their versatility, these pieces are attainable by less experienced performers while also providing great material for interludes on collegiate concerts.

These pieces are:

Desert Sunrise (2–5 players)
duet on shared vibraphone (with optional marimba and percussion)

Waltz for a Rainy Day (2–4 players)
duet for marimba & vibraphone (with optional upper marimba and glockenspiel parts)

Red Rock Canyon (2–5 players)
duet on shared marimba (with optional vibraphone and percussion)

The previous duet version of Three Scenes from the Desert (TSPCD16-003) has been discontinued and is replaced by this newer, updated version.

Use of this product is governed by the license terms outlined here.

Instrumentation

• Vibraphone

• Marimba (4.3-octave, low A)

• Glockenspiel*

• Djembe*

• Suspended cymbal*

• Mark tree*

• Shaker*

*Optional

Reviews

Inspired by the deserts of Southern nevada and California, “Three Scenes from the Desert” is an ensemble version of Alex Stopa’s duet of the same name. Like its predecessor, this small suite is centered around a mallet duet that is now accompanied by additional keyboard and percussion parts. In addition to is flexible instrumentation, the work can be presented as a suite or as individual movements.

As a suite, the work is separated into three movements: “Desert Sunrise,” “Waltz for a Rainy Day,” and “Red Rock Canyon.” Each movement has a unique effect that creates a nice complement to the suite. While the order is not predetermined, “Red Rock Canyon” is high energy and features the most definitive ending, while “Waltz for a Rainy Day” ends somewhat abruptly. Therefore, if the work is played as a suite, it would work best in score order. The most compelling movement is certainly “Desert Sunrise,” as it features several transitions in thematic material, all with a moderate tempo groove in the djembe and a thick rhythmic counterpoint between the ensemble parts. It should be noted that the optional marimba part is written for four mallets and calls for single alternating, double vertical, adn double lateral strokes, while the remaining parts are written for two mallets and are easily accessible for the intermediate player.

“Waltz for a Rainy Day” is slow and methodical, as the title suggests, but doesn’t feature a particularly memorable melody, allowing for a Zen-like respite before the energized “Red Rock Canyon.” In “Red Rock Canyon,” the main motive is a four-over-three polyrhythm that is used thematically through the ensemble and is fully notated to be easy to read. While the rhythmic interaction is heightened, the movement doesn’t feature a clear melody, allowing the piece to settle into a trance-like groove.

This work is straightforward in conception, and with flexible instrumentation it could be interesting for the high school or college percussion ensemble. The groove-oriented stasis within each movement makes the work accessible for the audience and if needed would be functional as transition music during a lengthy set change. The score and parts are well engraved, and the accompanying CD includes a pdf version of all the parts as well as a quality audio recording for reference.

—Quintin Mallette
Percussive Notes
Vol. 56, No. 5, November 2018

Description

Adding to their versatility, these pieces are attainable by less experienced performers while also providing great material for interludes on collegiate concerts.

These pieces are:

Desert Sunrise (2–5 players)
duet on shared vibraphone (with optional marimba and percussion)

Waltz for a Rainy Day (2–4 players)
duet for marimba & vibraphone (with optional upper marimba and glockenspiel parts)

Red Rock Canyon (2–5 players)
duet on shared marimba (with optional vibraphone and percussion)

Instrumentation

• Vibraphone

• Marimba (4.3-octave, low A)

• Glockenspiel*

• Djembe*

• Suspended cymbal*

• Mark tree*

• Shaker*

*Optional

Reviews

Recommended Products

Scuttlebutt for percussion ensemble
By Jim Casella

Jim Casella's third in a series of pieces for the developing percussion section is packed with catchy phrases you'll sing all the way home!

Duration: 4:30 | Level: Medium | Personnel: 8

Price: $43.00

Peril of the Bells an inventive adaptation of "Carol of the Bells"
By Rick Dior

This is “Carol of the Bells” as you’ve never experienced it. An inventive percussion ensemble arrangement for 10 players.

Duration: 7:30 | Level: Med-Advanced | Personnel: 10 players

Price: $50.00

Beethoven in Havana (Horsley) an Afro-Cuban arrangement of themes from Beethoven's Symphony No. 7 adapted for percussion ensemble by Brian Flack
By Brian Flack

An adaptation of Joachim Horsley’s arrangement for 3 pianos, Beethoven in Havana is proof that a great masterpiece can be enjoyed throughout the centuries!

Duration: 4:30 | Level: Advanced | Personnel: 14-15 players

Price: $50.00