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All percussion sounds used in this recording were generated from Virtual Drumline software also by Tapspace.
Brian Slawson's El Paso Waltz is written for beginning mallet ensembles so that each student in the quartet provides a specific function: The vibraphone carries the melody; One of the marimba players outlines the chords while the other supplies the bass; The glockenspiel, as is typical in a variety of settings, brings color to the arrangement.
If performed in a pleasant, light-hearted way, El Paso Waltz should demonstrate a carnival-like quality. This piece helps young players develop tremolo sensitivity and encourages eye contact, body language, and musical communication during slower tempos.
Use of this product is governed by the license terms outlined here.
Performed by Margie Tong Student Ensemble 10 July 2011
Brian Slawson's El Paso Waltz is written for beginning mallet ensembles so that each student in the quartet provides a specific function: The vibraphone carries the melody; One of the marimba players outlines the chords while the other supplies the bass; The glockenspiel, as is typical in a variety of settings, brings color to the arrangement.
If performed in a pleasant, light-hearted way, El Paso Waltz should demonstrate a carnival-like quality. This piece helps young players develop tremolo sensitivity and encourages eye contact, body language, and musical communication during slower tempos.
Use of this product is governed by the license terms outlined here.
Performed by Margie Tong Student Ensemble 10 July 2011
