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From composer Russell Wharton’s own words: “Black Waves, Bright Moon for percussion orchestra is a series of scenes with a cosmic-horror atmosphere. Inspired by the work of American author H. P. Lovecraft, and specifically his story The Shadow Over Innsmouth, the piece uses strange textures, ominous harmonies, and violent rhythmic figures to evoke the frightening world of Lovecraft’s fiction. Black Waves, Bright Moon tells of midnight rituals near the water, of strange towns with questionable histories, of inhuman sounds coming from the house next door, of great powers lurking deep under the waves, and the too-close moon that illuminates the things in the night.”
Players will work together and individually to create the various moods, sound effects, and scene changes occurring throughout the piece in service of delivering a unique, albeit slightly hair-raising, experience to an audience. There is certainly no shortage of notes for the performers to contend with but also a lot of space during which the listener must anxiously await whatever may be coming next.
Use of this product is governed by the license terms outlined here.
From composer Russell Wharton’s own words: “Black Waves, Bright Moon for percussion orchestra is a series of scenes with a cosmic-horror atmosphere. Inspired by the work of American author H. P. Lovecraft, and specifically his story The Shadow Over Innsmouth, the piece uses strange textures, ominous harmonies, and violent rhythmic figures to evoke the frightening world of Lovecraft’s fiction. Black Waves, Bright Moon tells of midnight rituals near the water, of strange towns with questionable histories, of inhuman sounds coming from the house next door, of great powers lurking deep under the waves, and the too-close moon that illuminates the things in the night.”
Players will work together and individually to create the various moods, sound effects, and scene changes occurring throughout the piece in service of delivering a unique, albeit slightly hair-raising, experience to an audience. There is certainly no shortage of notes for the performers to contend with but also a lot of space during which the listener must anxiously await whatever may be coming next.
Use of this product is governed by the license terms outlined here.
